A highway detours in order to give two lovers some privacy in their “bit of eternity,” in the opening stanza of Yehuda Amichai’s “Pinecones in the Tree Above.” Several stanzas later, “she is the walled public garden of the city, and he, the road which moves away from her” (Abramson, p.101 — see notes below). […]
UPDATE April 15: See also Fabrangen’s Omer Blog for more on “full of water.”
Imagery of a pit [bor] appears over the years in the poetry of Yehuda Amichai. Frequently, as in the Joseph story (“the pit was empty, there was no water in it” [Gen. 37:24]), Amichai’s pits are without water. Toward the end of his life, however, he published a poem in which a mikveh — which can be understood as a sort of pit filled with water — plays a prominent role:
Then we came to a ritual bath in ruins….
…Speak O my soul, sing
O my soul to the God who is Himself part of the cycle
of praise and lament, curse and blessing.
Speak O my soul, sing O my soul, Change is God
and death is his prophet.
–Yehuda Amichai, stanza #10, “Jewish Travel: God is Change and Death is His Prophet” in Open Closed Open
There’s a great scene in a fairly silly movie, called Must Love Dogs: The struggling divorced man played by John Cusack is obsessed with the movie Doctor Zhivago. He watches it over and over at home and then drags the young woman he is dating to a revival house to see it. Leaving the theater, the dating couple runs into the romantic lead, played by Diane Lane, who declares that she too loves Doctor Zhivago. She watches it over and over again hoping, she says, “that once Lara and Yuri will get together again…in the springtime preferably. And wear shorts.” The young date responds, “OK, but they can’t because it’s just a movie.”
Of course, Diane Lane and John Cusack do get together, even though things still don’t look so good for Yuri and Lara. And I believe the Must Love Dogs view of Doctor Zhivago has a lot to say about this week’s Torah portion Mattot (Numbers 30:2-32:42) and about our prayers.