Exploring Babylon Chapter 14
The Joseph Cycle, which closes out the Book of Genesis, has it all, in terms of story-telling: politics, sex, family drama, passages that touch on religious and cultural practices, plus a few dream sequences. The Book of Exodus is quite the drama as well, but it shifts focus to national struggle, while still providing individual stories that keep the scale personal as well as epic. Both books offer ample opportunity to consider themes relevant to #ExploringBabylon. Both the Joseph story and the opening of Exodus, in particular, prompt us to consider the various experiences of enslavement and captivity — with members of the family that becomes Yisrael as both victims and perpetrators.
We are also prompted to compare the Exodus story with that of the Babylonian Captivity — and, of course, with historical experiences of Jewish and non-Jews.
In his book, Song of Exile, David W. Stowe offers some apropos comments. I think his words worth repeating, as the Exodus tale unfolds in the Torah reading cycle and in advance of Passover, so quote here:
We can readily see how the Exodus lends itself to popular culture – Hollywood, for example—in ways that the Exile doesn’t. The Exodus has a strong central character, Moses, who though not without flaws is undeniably cut from heroic cloth. By contrast the Exile features a shifting cast of characters, none of whom seem quite heroic. There are two malcontents, Jeremiah and Ezekiel, who alienate nearly everyone around them and die on what seems the losing side of history. Daniel rises far in Babylon but doesn’t himself lead the Judeans to the promised land. There is no triumphant entry into the Promised Land in the Exile; some of the Judeans slowing drift back to Judah after Babylonia is conquered by the Persians, and eventually the Temple is rebuilt.
— Stowe, p.100
In addition, Stowe points out, the Exile does not have the same “sense of triumphant destiny” as the Exodus story. While this does not make the Exile a Hollywood favorite, he argues, it does make the story a better fit for the complex “diasporic sensibility of so many ethnic and racial communities in North America,” some of whom thought of “North America as a Promised Land or New Jerusalem,” while “many others imagined themselves as temporary sojourners, never forgetting the links that bound the to a homeland” (Stowe, p.103).
There is so much to unpack in considering the United States as “New Jerusalem,” temporary homeland, and “Babylon.” We’ll try to make some inroads as the reading of Exodus progresses and we launch some new directions in #ExploringBabylon.
Meanwhile, just in testament to the amazing complexity ahead, some related words and images from the 1988 movie “Working Girl,” written and set, of course, long before the Twin Towers became central to another aspect of the story.
“Let the River Run” Lyrics by Carly Simon (1988)
Stowe, David W. Song of Exile: The Enduring Mystery of Psalm 137 (NY: Oxford University Press, 2016). Additional information.