“The media we consume has a profound impact on the range of possibilities we can imagine. Therefore, centering Black female narratives in our reading habits should be a central practice for anyone trying to envision a world in which Black Women are respected, honored, supported and loved.” — So writes Aaron Goggans in his post, #ILoveBlackWomen Day One: Read, and I gratefully accept the suggestion.
Important in its own right, focusing on women seems also a good antidote to this week’s all-male Torah portion (Bamidbar [“in the wilderness”], Numbers 1:1-4:20), and to the masculine-centered Sinai narrative of the upcoming holiday of Shavuot. (In which “the people” are told “don’t go near a woman” [Ex 19:15].)
Deep as erasure, sexism, and misogyny has been for Jewish women and women in Western culture generally, Black women face, in addition, misogynoir. It is, therefore, as Aaron Goggans points out, particularly important to “intentionally consume art, music and literature created by and about Black Trans* Women, Black Women and Black Girls” to counteract this reality.
Esi Edugyan, Half-Blood Blues. NY: Picador, 2011.
An engaging novel which also offers a glimpse into some often-overlooked bits of history, including the experience of Afro-Germans and France’s “Rhineland Bastards,” following WWI and through WWII. (See U.S. Holocaust Memorial Museum for historical background.)
Issa Rae, The Misadventures of Awkward Black Girl. NY: Simon & Schuster, 2015.
Personal reflections — too young, at 30, IMO for a “memoir” — from the creator of the web comedy series by the same name as well as a number of other comedy projects. Rae reports taking out some first-draft material in deference to family feeling, but the result is still honest and insightful, and — like her video work — humorous without cruelty.
Sonia Sanchez, Morning Haiku. Boston: Beacon Press, 2010.
A collection of “haiku” in the sense of spare, powerful verses (not necessarily of the 5-7-5 pattern). Verses are written for varied individuals, from Emmett Till to Ras Baraka, Sarah Vaughn to Oprah Winfrey. See below for an excerpt from 21 Haiku for (Odetta).
A number of other authors, filmmakers, and other powerful Black female voices have been mentioned over the course of this Omer journey from oppression to Revelation. Here is a sampling:
- Cecile Emeke, creator of Ackee and Saltfish, mentioned a few days back
- Zoe Spencer, scholar, activist, & creator of the film, Epiphany, mentioned a few weeks ago
- Maria W. Stewart, journalist and former slave, quoted at the outset of this journey
- Aliza Garza’s Herstory of #BlackLivesMatter, referenced several times
Rain to the Desert
You asked: is there
no song that will
bring rain to this desert?
— Sonia Sanchez (see below)
Thanks, again, to “The Well Examined Life” for the reminder of how many songs, with how much potential to bring rain, we might miss without making a conscious effort to hear from Black trans women, women, and girls. Check out the blog for additional #ILoveBlackWomen activities.
We counted 44 on the evening of May 17. Tonight, we count….
Making the Omer Count
from On the Road to Knowing: A Journey Away from Oppression
A key element in the journey from liberation to revelation is understanding the workings of oppression, and our part in them. We cannot work effectively to end what we do not comprehend.
So this year, moving from Passover to Shavuot, I commit to learning more about how oppression works and how liberation is accomplished. I invite others to join me:
Let’s work together, as we count the Omer, to make this Omer count.
Thoughts and sources welcome.
Share this graphic to encourage others to participate.
Aware that we are on a journey toward knowing God — from liberation to revelation — I undertake to know more today than I did yesterday about the workings of oppression.
I bless and count [full Hebrew blessings in feminine and masculine address]:
Blessed are You, God, Ruler/Spirit of the Universe, who has sanctified us with Your commandments and commanded us to count the Omer.
In the spirit of the Exodus, I pray for the release of all whose bodies and spirits remain captive, and pledge my own hands to help effect that liberation.
Although the concept is not new to me, the word is. For more on this term — meaning “how racism and anti-Blackness alter the experience of misogyny for Black women, specifically” — see Gradient Lair and Wikipedia.
21 Haiku (for Odetta)
from Sonia Sanchez’s Morning Haiku
the sound of
your voice thundering out
of the earth
beat summoning us
the smell of
you dare to love
up your throat
Lead Belly on Saturday
nites and Sunday mornings
your music asked
has your song a father
or a mother?
…10. You asked: is there
no song that will
bring rain to this desert?
[fuller version at Google Books]