Exploring Babylon Chapter 16.1
At several points in the Megillah reading, the chant for the Book of Esther shifts to the Lamentations chant. The lament behind some verses seems clear: Mordecai’s introduction as a descendant of Babylonian exiles (2:6) and the decree telling all provinces to destroy the Jews (3:15), for example. It’s less obvious what is lamentable about three words — the whole verse does not change trope, just the three words — describing how banquet guests were served wine:
An explanation based on Esther Rabbah 2:11 brings us back to Babylon — although the spirit of Purim seems to cry out for a brief detour to consider the heartbreak of mismatched glassware. (See also note on publication schedule.)
Vessels at the Feast
The Megillah describes the decorations in the palace, the ornate couches, and “vessels of gold” used at the king’s seven-day feast. The text then adds: “Also Vashti the queen made a feast for the women in the royal house which belonged to king Ahasuerus” (Esther 1:8).
There is no mention of the vessels’ origin, beyond the enigmatic “shonim” [“different” or “diverse”]. (Many other explanations have been offered, over the centuries, to explain how the vessels were “different” — a topic, perhaps, for another day.) But Esther Rabbah says the vessels are “different” from ordinary ones in that those used at this feast are the same ones that Nebuchadnezzar took from the Temple in Jerusalem. The passing along of the Temple vessels is also linked in midrash to Queen Vashti.
The Megillah includes nothing about Queen Vashti’s background, although midrash has much to say about her. In terms of lineage, she is described midrashically as Babylonian royalty. She is sometimes identified as Nebuchadnezzar’s daughter (B. Megillah 10b). In one account, she is married to Ahashverus, who was her father’s steward (Esther Rabbah 3:14). Alternatively, she was the daughter of Belshazzar, and Darius married her to his son, Ahashverus, after her father was killed (Esther Rabbah 3:5). The latter story also provides a direct link between Vashti and the vessels in her palace, on the one hand, and, on the other, Belshazzar and the vessels at the “writing on the wall” feast (Daniel 5).
Daniel 5 opens with Belshazzar calling for “the golden and silver vessels which Nebuchadnezzar his father had taken out of the temple which was in Jerusalem.” It is clear, from the text (and midrash) that the party is meant to show contempt for Hebrews and all they hold sacred. The Megillah, in contrast, describes the feasting at the palace of Ahashverus in more neutral terms, while more negative connotations have been added by layers of midrash.
Offspring of Babylon
A strong thread in the negative midrash related to the Megillah stems from identification of Vashti as the “offspring” of Babylon:
וְקַמְתִּי עֲלֵיהֶם, נְאֻם יְהוָה צְבָאוֹת; וְהִכְרַתִּי לְבָבֶל שֵׁם וּשְׁאָר, וְנִין וָנֶכֶד–נְאֻם-יְהוָה.
And I will rise up against them, saith the LORD of hosts, and cut off from Babylon name and remnant, and offshoot and offspring, saith the LORD.
— Isaiah 14:22.
R. Jonathan prefaced his discourse on this section (Book of Esther) with the text, And I will rise against them… (Isa 14:22) [which he expounded as follows]: ‘Name’ means script; ‘remnant’ is language; ‘offshoot’ is kingdom, and ‘offspring’ is Vashti.
— B. Megillah 10b
R. Jonathan’s interpretation of the Isaiah verse can also be linked to the decree about households using the husband’s language (Esther 1:22 — midrash citation to come). Meanwhile, however, Vashti’s brief appearance and then exile have a powerful influence on the rest of the story. (See, for just one example, “The Role of Vashti in the Purim Story,” by Deena Rabinovich — PDF here.) At least one midrash suggests that the language decree, a response to suspicion about Vashti, set up opposition to Ahashverus, resulting, ultimately, in preservation of the Jews (again, citation to come). So perhaps Vashti, as offspring of Babylon, comes to tell us that the past is not so easy to eradicate, and that we are strengthened by preserving lessons — and cultural diversity — brought to us by the past.
Lamentable Banquet Service
This is based very loosely on the “Poetry Game,” created by Zahara Hecksher (9/12/64-2/24/18; her memory for a blessing), and offered in her honor and memory.
- Something in your poem occurs in an alley
- Refer to a problem in a factory
- Include the phrase “I remember ____” in your poem
Resulting poem: “Lament for Mismatched Glassware”
Goblets special ordered.
The king wants his display.
“It is time for us to host
A palace feast awash with wine
fine vessels for a toast.”
The queen cannot shake misgivings.
“I remember,” she explains,
“that writing on the wall.
A lavish party, I suspect,
may not end well at all.”
As the date grows near
workshop staff reports the order gone awry.
It appears that no two goblets match.
And not just one odd barrel,
batch after hodgepodge batch.
Palace staff is in the alley
unpacking mismatched wares.
Amid his duties the steward fears.
Royal wrath is a grave concern
as are faux-pas-related tears.
Royal banquet time is nigh.
Guests arriving at the gates.
Will history this night malign?
In trepidation the palace serves
with beakers of varied design.