Are We Ready Yet?

Are we ready yet, as multi-racial Jewish communities, to ask God to “renew our days as of old”? Have we, as U.S. Jews, thoroughly “searched our ways” for the racist systems in which we participate? Have we wept for the results in our own country and around the world?

Milwuakee 2016 “The joy of our heart is ceased;…”

“…our dance is turned into mourning.”  (Lam. 5:15) Baltimore 2015

Ferguson 2014 “How lonely sits the city, once full of people;…

“…she has become a widow!” (Lam. 1:1) Cincinnati 2001

LA 1992  “The crown is fallen from our head;…

“…woe unto us! for we have sinned.” (Lam 5:16) NYC etal 1968

Newark etal 1967 “For this our heart is faint,…

“…for these things our eyes are dim;” (Lam 5:17) Chicago etal 1966

Watts 1965 “She weeps sorely in the night,…”

“…and her tears are on her cheeks;” (Lam 1:2) Philadelphia etal 1964

Birmingham 1963. “For these things I weep;…”(Lam 1:16)

For these things I weep; my eye, my eye runs down with water….

“Let us search and try our ways, and return to the LORD.

“Turn us unto You, O LORD, and we shall be turned…”
— (Lam 1:16, 3:40, 5:20)

How can we complete the recitation of Lamentations for Tisha B’av, asking God to

“…renew our days as of old”

if we have not yet wept and searched our ways?

“Let us search and try our ways”: Trouble to See prelude

The lowest point of the Jewish calendar, the day of mourning known as Tisha B’av, commemorating destruction of the Temples and other calamities, calls us:

“Let us search and try our ways, and return to the LORD” (Lamentations 3:40).

As we move on from this day, through the season of repentance and beyond, I invite Jews — and others interested — to join me in an effort to “search and try our ways,” looking closely at the ways in which race has formed our lives and the life of this country so that we might build something new.

Here is my beginning, with resources and background —

Trouble to See #1: Expelling Creases from the Fold

Trouble to See #2: Beyond Central Casting

Trouble to See #3: Beyond the Romance

Trouble to See #4: Peeling Back Some Tricky Layers

Trouble to See Related Resources

Trouble to See #4: Peeling Back Some Tricky Layers

MicahNext6
Peeling back another layer….

A few more layers of racial-justice-related issues to peel back in taking “Trouble to See,” using the fictional world of “Dirty Dancing” as an aid (see “Beyond the Romance“).

Consider that the integrated dance floor — where  non-Jewish staff mix after hours — is moving to Otis Redding, The Contours, and other African American performers. We know – even if the young dancers don’t yet – that white performers will achieve far more financial and popular success with versions of the same music adapted for white audiences. In the main ballroom, the mambo and meringue are all the rage (topic for another day, perhaps.) And so, if we look more closely at the dance floors, we might notice the fine line between cultural sharing and cultural appropriation.

We know, too — from our vantage point in 2016 — that prominent among the promoters of black music will be Jews, sometimes recognized as supporting important black music and sometimes seen as using black music to support themselves. See, for example, varying views on the earlier history of Chess Records as well as later involvement of Jews in soul and other music genres.

Here is just one contemporary remark, illustrating a common viewpoint, from a website devoted to hip hop music:

And the sad truth is that rappers might be rich while they are hot, but Jews and other white men that own the labels (and thus own the music) continue to stay rich after the rappers have faded off the scene.

The Civil Rights movement did not address these dynamics. Focusing on marches and sit-ins of the 1960s does not give us a perspective that is wide or deep enough to help us consider the complicated history of Jews and Racial Justice.

A Deeper Layer

At least from the early 20th Century, mainstream, White press and popular sentiment railed against music considered too sexually explicit and encouraging of inappropriate behavior in its fans. The story was repeated with ragtime, blues, jazz, rock and roll, up through hip hop. At each stage, what White people performed on stage and did on the dance floor was eventually accepted, while “Black music” was continually viewed in many quarters as retaining some “jungle” element:

“Jazz. Here in Germany it become something worse than a virus. We was all of us damn fleas, us Negroes and Jews and low-life hoodlums, set on playing that vulgar racket, seducing sweet blond kids into corruption and sex. It wasn’t music, it wasn’t a fad. It was a plague sent out by the dread black hordes, engineered by the Jews. Us Negroes, see, we was only half to blame – we just can’t help it. Savages just got a natural feel for filthy rhythms, no self-control to speak of. But the Jews, brother, now they cooked up this jungle music on purpose. All part of their master plan to weaken Aryan youth, corrupt its janes, dilute its bloodlines.

“…we was officially degenerate.

“…And poor damn Jews, clubbed to a pulp in the streets, their shopfronts smashed up, their axes ripped from their hands. Hell. When that old ivory-tickler Volker Schramm denounced his manager Martin Miller as a false Aryan, we know Berlin wasn’t Berlin no more. It had been a damn savage decade.”
— Sid, Black musician narrator, in Half-Blood Blues by Esi Edyugan (NY: Picador, 2011), p.78-79

Half-Blood Blues is set in Germany, but the illustration of how Jews and Blacks were viewed in the 30s in Berlin has a parallel in U.S. history. As with many other groups of new immigrants to the U.S., Jews were once considered exotic, often hyper-sexualized degenerates. When the U.S. eagerly and legally classified people by race, Jews were non-White. The lynching of Robert Frank, a Jew accused of raping a “White” girl, in the early part of the 20th Century is part of that non-White Jewish history.

half-bloodThe view that Jews are involved in Jazz “on purpose,” while Blacks cannot help themselves, had parallels in the U.S. as well. Jews are occasionally still subject to this stereotyping in U.S. mainstream press and public opinion. It is all too common still, in 2016, in White Supremacist comments, including some from current candidates for office. But Black people in 1963 regularly faced this kind of stereotyping – still do in 2016 – and this has dangerous repercussions in everything from housing to education. It has particularly deadly ramifications in policing.

The related image of Black youth as part of a “thug life,” promoted by the hip hop industry, benefited and still benefits quite a few people outside black neighborhoods, non-Jews and Jews, who do not live with the consequences of that image in their daily lives.

Related References

Collis, John. The Story of Chess Records. NY: Bloomsbury, 1998. See also 4-part YouTube series called “The Chess Records Story”

Stratton, Jon. Jews, Race, and Popular Music. Surrey, England: Ashgate, 2009.

White, Miles. From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity. Univ. of Illinois Press, 2011.

Whitfield, Stephen J. American Space, Jewish Time: Essays in Modern Culture and Politics. North Haven, CT: Archon Books, 1988

and a few notes:
Half-Blood Blues stands on its own as literature and entertainment. It’s also a great opportunity to turn the neck, getting perspectives — from a black woman writer (from contemporary Canada) describing the lives of black musicians in Berlin in the 1930s — we might otherwise miss. This particular story also gives us a non-Jewish narrator, a Black man at risk for reasons unrelated to Jewish heritage, relating the rise of the Nazis from a vantage point we don’t often see.

The novel touches on the history of Rhineland Bastards. Learn more at USHMM, the U.S. Holocaust Memorial Museum website.

Trouble to See #3: Beyond the Romance

I never visited the Catskills in the heyday of Jewish resorts. But Eleanor Bergstein’s portrait of one liminal summer there reflects something essential in my own experience, albeit in a non-Jewish neighborhood of Chicago, and in the story of “Jews and Racial Justice.” Thus #3 of “Trouble to See,” my singular excursion — with background and resources — into the topic of Jews and Racial Justice.

I do realize that many viewers actually enjoy the movie, “Dirty Dancing,” for its dance and music and love story. (I don’t think anyone loves the plot-line about the dancer facing a life-threatening, illegal abortion – although it represents another important a chapter in our history.) But I am pretty sure that Bergstein and I are not alone in also holding a soft spot in our hearts for a time when, as she puts it, “you could reach out your hand, and if your heart was pure, you thought you could change the world forever.”

Beyond the Catskills

The Chicago school boycott of 1963 is less well-known than other events of that year in the Civil Rights movement. But it illustrates a great deal about the Chicago of my youth, organization in the Black community to achieve equity, and efforts in many quarters to create positive change that would work for all residents and all neighborhoods.

Nevertheless, Chicago remained one of the most hyper-segregated cities anywhere, with powerful color lines as well as lines between areas welcoming to Irish and Italian, Lithuanian and Ukrainian residents, etc. Sociologists at the time called the neighborhood change we experienced “invasion-succession.” There may be a less war-like term for it now. But it was pretty devastating for all concerned:

Near my home, Urban Renewal razed one whole commercial strip, replacing it with rubble and a sign that read, “Courtesy: Richard J. Daley, Mayor.” They eventually put up a senior citizens home, at that point isolated from pedestrian traffic and with virtually nowhere for residents to walk. A few blocks away, the Arson Squad was kept busy while owners of another commercial strip bailed. In the same time period, we later learned, the Chicago Police Department’s “Red Squad” – organized decades earlier to root out communists and others they considered subversive – infiltrated the Organization for a Better Austin, which, along with the rival Town Hall Assembly, was supposedly attempting to create a stable, integrated neighborhood.

There were more than 80, mostly White, students in our class in first grade. We graduated with 24 students, a very different mix of kids, and we were the last graduating class of the school. Despite many community meetings, the Archdiocese of Chicago decided not to prioritize neighborhood stabilization, instead closing first the local high school and then the elementary school, where I was a student, followed shortly afterward by the church. Patterns similar to this were seen in places like Philadelphia when synagogues fled the city.

Beyond the Romance of Civil Rights

All of the above made for a pretty wild ride in my first 14 years on the planet, as my family remained in the same apartment while everything changed around us. Eventually, our landlord decided to sell, and – after exploring affordable options inside the city – we moved a mile west, to the village of Oak Park. The whole thing left me with pretty dim views of every major institution charged with promoting the common good. And also with some very particular ideas about how racial integration does and does not work — and what it can and cannot accomplish.

I retain a deep affection for that brief sliver of struggle-filled, yet hopeful, time – when we thought a better, racially just world was right around the corner. As grown-ups, though, I think we have a responsibility — “we,” meaning here “White” people, in general, and Jewish communities, in particular — have to look beyond any romantic views of Civil Rights. We have to admit that, exciting as that season might have been, full of possibility and hope, we let ourselves ignore some of the realities. And, even though we probably couldn’t have known any better then, now we must look seriously at what has transpired since then and ensure that we make different choices today, ones that work for all parties involved.

In the meantime, regardless of past history and how it evolved, economic and political equity did not appear. As a journalist covering two of the poorest wards in the city,  both predominantly black, I can testify that whole areas of the District  have been been short-changed for generations on education, housing, and employment opportunities while being over-policed and over-incarcerated.

So, I want to go back to the fictional Catskills and take the trouble to see a little more carefully.

Continued in “Trouble to See #4”

Trouble to See #2: Beyond Central Casting

further thoughts and references on Jews and Racial Justice….

from PBS program on Ethiopian Jews
from PBS program on Ethiopian Jews

“Bernie Sanders Looks Like Everyone’s Jewish Grandpa…,” read a headline on the Jewish Daily Forward website earlier this election season. But Sanders doesn’t look anything like these Jewish men, some of whom are probably grandpas, or like many Sephardic grandpas. He doesn’t look like the grandparents of many Jewish children in the United States. Bernie Sanders looks like Jewish grandpas from only one part of the world.

The blurb was meant to be cute, sure, but it still promotes an extremely limited view of who “looks Jewish.” (Sadly, the Forward lets the same sloppy “Jewish looks” idea inform news stories as well.) This, in turn, helps validate widespread challenging of anyone who doesn’t look like “a Jew” Central Casting might send.

Jews of color, in particular, report being frequently singled out and questioned about their background — despite that fact that this is contrary to a number of Jewish teachings.

This is just one way in which Jewish communities have work to do, more than most of us would like to admit,
in the area of racial justice.

(How) Are You Jewish?!

Not all Jews of color are Jews by choice. But the Talmud’s specific stress on not embarrassing a proselyte or child of a proselyte (Baba Metzia 58b) seems apropos. As does Jewish law forbidding differentiating between Jews by choice and Jews by blood (see, e.g., Yebamot 47b).

More generally, Jewish tradition teaches “verbal wrongs”
are more serious than monetary ones
and that shaming a person in public is the same as shedding blood
(Baba Metzia 58b, again).

It is sometimes argued that people are “merely curious” and not attempting to shame a person who looks “different.” But this ignores what Jews of color, and others who don’t necessarily resemble Ashkenazi Jews, have repeatedly said: Being harassed with demands to explain yourself and your connection to Judaism is not welcoming; it is exhausting to be singled out all the time and demoralizing to have one’s identity challenged.

Micah810_53Michael Twitty, an African American Jew, describes how other Jews regularly question his presence in Jewish space and often demand: “Were you born Jewish?” (Jews United for Justice “Racial Justice Seder“)

MaNishtana, “100% Black, 100% Jewish, 0% Safe,” has his identity challenged so often, he says, that he finally penned a book entitled Fine, thanks. How Are You, Jewish?

In her famous poem, “Hebrew Mamita,” Vanessa Hidary speaks about a man complimenting her with, “You don’t look Jewish. You don’t act Jewish.” Eventually, she develops this  response:

Bigging up all people who are a little miffed
‘cuz someone tells you you don’t look like
or act like your people. Impossible.
Because you are your people.
You just tell them they don’t look. period.
listen here

Jewish Diversity and Racial Justice

One organization that has been working for years to “foster an expanding Jewish community that embraces its differences,” is Be’chol Lashon: In Every Tongue. Among their offerings are research, resources, and diversity-celebrating materials.

Recognizing and celebrating diversity within Jewish communities also means addressing the discrimination and risk that fellow Jews face because of their color. See, e.g., “#MyJewish and Why It Matters.” This is another crucial element in the story of Jews and Racial Justice. (more soon)

NOTE

The same publication has made factual errors in the past based on assumptions about who “looks Jewish.”
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Trouble to See #1: Expelling a Crease or Two

[updated 8/15] At the invitation of Temple Micah‘s Lunch and Learn program (8/10/16), I shared some thoughts about Jews and Racial Justice. I appreciate the opportunity. As promised, I offer the references cited for anyone who wants to explore further: Jews and Racial Justice reference page. I also include below a link to the SongRiseDC rendition of Ella’s Song (from Ella Baker & Sweet Honey and the Rock) that I was unable to share during the talk.

And just to clarify: I share in these “Trouble to See” posts some views which are not my own, for purposes of learning and discussion. But nothing here is the view of Temple Micah.

Skip ahead:
Expelling Creases from the Fold
Trouble to See

Through this talk, I succeeded in annoying a number of people — including myself — for a whole variety of reasons. (I’d like to think that’s some sign of success, given the topic.) At best what I shared can only be the beginning of a long, complicated — and, ultimately, very difficult — conversation.

Trouble to See

We began this afternoon, and I hope we can all continue exploring, with the idea of taking “trouble to see,” based on commentary about Moses at the Burning Bush.  MicahTrouble1

 

Here’s the commentary —

 

and the questions I hope we can ask, as we look back on what we think we know about race and racial justice:MicahTrouble2

This is the original post, from 2015, exploring the idea of taking “trouble to see” following the death of Walter Scott.

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Expelling Creases from the Fold

Creases

As part of this exercise in turning the neck, taking “trouble to see” aspects of our past experience in new light, I shared a portion of my memoir/essay, “Skins,” which will appear in the forthcoming Expelling Creases from the Fold, an anthology published by Liberated Muse Arts Group. Thanks to Liberated Muse for allowing me to share this material in advance of its publication.

Here’s a link to the full talk. The reading of “Skins” begins around minute 18:00. (Not the best quality video, sorry. Looking forward to the anthology!!)
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Ella’s Song

Sorry I could not share the SongRise version of “Ella’s Song” during the lunch today. For all in the room today — and anyone else who does not know “Ella’s Song” — as SongRise’s Sarah Beller explains in her introduction: The lyrics are words of Ella Baker, one of the founders of Student Nonviolent Coordinating Committee, and the music was created by Sweet Honey and the Rock.

Last note: the SongRise video cuts off mid-way through their second powerful number, “A Change is Gonna Come.” more on that later…
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Matot: Heavy Tongue, or the House of Cards theory of bible study

I want to begin by acknowledging my teacher, Max Ticktin z”l, for whom the period of shloshim is coming to a close and whose connections to Temple Micah are more varied and interesting than I knew before he died. Max taught me — and others in several generations — a lot about who is and is not an enemy, of ourselves personally and of the People Israel.

Dvar torah on parashat Matot, Temple Micah 7/30/16

These remarks focus on the story of vengeance, Numbers 30:1ff. This is an odd and troubling story in many ways. I chose to study it, in part because I worry about the consequences of failing to examine the uglier parts of our tradition, and in part because its very oddness makes it interesting.

A few odd things

One odd thing is that we are told Pinchas was the priest of the campaign, but we are not told who the military leader was.

Another odd thing is how the otherwise terse story stops to tell us that Pinchas brought the “holy utensils” — which many commentators believe means the Ark — and the shofar. This makes the whole thing sound terrifyingly like something out of “Raiders of the Lost Ark” (Paramount 1981) or any of our contemporary wars that make use of religious iconography to wreak havoc on perceived enemies.

It seems to me — although I didn’t find commentary saying this, exactly — that the religious details, the priest, the holy utensils, and the shofar, hint at the spiritual aspect of the story. However distasteful and scary most of us find this today, the idea that a war should be fought to kill some people in order to preserve other people’s spiritual health, that was a part of biblical storytelling.

Midianites and Moabites, Balak and Pinchas

The Torah and many commentaries are clear that this whole issue with the Midianites is a war on people who tempted the Israelites into idolatrous behavior. We might think (and many commentaries remark) that the problem would be with the Moabites because it was the Moabites with whom Israel engaged in harlotry and idolatry in what is called here “the matter of Baal Peor.”

Back at the close of parashat Balak, we are told that Israel became “attached to Baal Peor and the wrath of God flared up against them” (citation). Moses and the judges had just ordered the Israelites to turn on one another and kill men attached to Baal Peor when the Israelite male, Zimri, and the Midianite female, Cozbi, perform what is generally understood to be public sex acts at the Tent of Meeting. Then Pinchas runs them through with a spear, stopping a plague we had not been told was happening. Just the one Midianite, Cozbi, is mentioned there. But both nations collaborated in hiring Balaam to curse Israel. So perhaps they were collaborating in the incidents involving Baal Peor, too. However it came to be, God told Moses back in chapter 25, at the start of parashat Pinchas, to harass [tsaror] the Midianites and kill them because they had attached [tsorerim] Israel “through the conspiracy against you [the Israelites] in the matter of Peor.”

Hasidic commentary says this harassing is a sort of eternal command, because the temptation to the Israelites will persist. The idea is that once they have tasted debauchery, it will be impossible to keep desire from arising again. So Israel must now be eternally harassing those who harassed them with temptation.

If the Israelites could have been warned some other way to be eternally vigilant to stop evil urges in themselves, we might have an easier time with the lesson. But that is not what Or HaChaim teaches, and that is not how the Torah text unfolds. Instead….

God tells Moses to harass the Midianites in chapter 25. And then we have a census and some legal material, a list of offerings, and a long treatise on vows. After all that, here in chapter 31, God tells Moses to take vengeance — now the verb is different, nekom –against the Midianites.

This is another odd bit and one of my favorites.

Another odd thing

Back when the whole mess started, we have a break between portions introduced right at the height of the Baal Peor matter. Israel’s idolatry and the incident of Zimri & Cozbi ends parashat Balak. Pinchas is rewarded for his action that stops Cozbi & Zimri in the next portion. And that’s where we see the command to harass Midian, at the start of parshat Pinchas.

The portion break suggests that the story was just too far out of control and the Rabbis wanted to cool things off….This is a very famous break, often discussed in the commentary. For more, see “Pinchas and the scary friend….But that’s a later, conscious choice of how we are to read and learn this text. The Torah itself inserts the five-chapter break between the precipitating events and God’s call for harassment, on the one hand, and, on the other hand, this episode of vengeance.

Moreover, we have so many odd things in both places. Pinchas acts to stop a plague that is not mentioned before it stops. Moses and God speak of a conspiracy against the Israelites involving sexual misconduct. But the only conspiracy we’re told about in the text is the one to hire Balaam to curse the people. Balaam is blamed (in commentary and in the text here) for whatever sexual acts and idolatry are happening, even though the last we heard of him, he went home after blessing Israel with words we still celebrate every morning in the prayers. (See, e.g., “Balak prayer links”.)

Missing Bits

I think the missing bits and the halting way the story is told suggest a struggle — with facts, perhaps, or with feelings and ideologies that lead to death and disaster. If we take nothing else away from this, I believe the Torah wants to ensure that conspiracy and war and people turning on one another is not read smoothly or accepted easily.

Avivah Zornberg, the brilliant and very Freudian teacher of Torah, believes the Torah itself has an unconscious that is suppressing trauma. (See The Murmuring Deep, citation coming). I’m not sure I buy her whole theory, but I do think we should listen to the pauses and the stuttering and the weird missing bits as closely as we listen to the story tht reads more easily… maybe more closely.

Midianites: enemies?

And meanwhile Moses, who argued with God so many times before has nothing to say in the text in support of the Midianites who protected and nurtured him in his youth. Nothing to say about his extended family and the legacy of Jethro, his father-in-law, who contributed so much to his own learning and helped Israel set up a judicial system.

It’s not much of a surprise that we don’t hear from Zipporah, as we rarely hear from women, even ones who face down God to save their husbands from death (see the “night incident” at the inn in early Exodus; citation coming). But Moses has nothing to say on her behalf?

We’re not the first generation to notice the oddness of this incident and Moses’s close connection to Midianites. Early commentary says that is why, although God tells Moses to exact vengeance, Moses sends others and stays back himself. Of course, this says nothing about the fact that he lets it happen, anyway, even appears to orchestrate it; it also discounts the fact that Moses is quite aged here and perhaps unable to command in battle.

But the interesting point to note, I think, is that Numbers Rabbah acknowledged the relationship between Moses and Midian, and tries to address how hard it all was and how thoroughly entangled were all the players here.

The contemporary biblical literary teacher Robert Alter says this about Baal Peor in chapter 25:

The Israelite attitude toward its neighbors appears to have oscillated over time and within different ideological groups between xenophobia, a fear of being drawn off its own spiritual path by its neighbors, and an openness to alliance and interchange with surrounding peoples.

–Alter’s Torah commentary

In reference to this passage in chapter 31, he says:

Either two conflicting traditions are present in these texts, or, if we try to conceive this as a continuous story, Moses, after the Baal Peor episode reacts with particular fury against the Midianiate women (not to speak of all the males) because he himself is married to one of them and feels impelled to demonstrate his unswerving dedication to protecting Israel from alien seduction. But it must be conceded that the earlier picture of the Midianite priest Jethro, Moses’s father-in-law, as a virtual monotheist and a benign councilor to Israel does not accord with the image in these chapters of the Midianite women enticing the Israelits to pagan excesses.

One more possibility comes to mind….

House of Cards theory of bible analysis

Maybe there was a conspiracy involving Balaam and the Midianite kings but orchestrated by some other entity for reasons of their own, some kind of House-of-Cards-type plot to discredit the Midianites and turn Israel against them — or to make us believe Midian and Israel were enemies and would always be. Maybe the plot was so successful that Moses turned against his own earlier supporters because of it, so successful that the narrator can make us believe the story really moves from “go kill more people to undo you own spiritual troubles” to instructions for how to become ritually clean after carrying out more vengeance. But whichever Frank Underwood was behind the plot is no longer available — to look  us straight in the eye, breaking the Torah’s fourth wall, so to speak  — and confess what’s really going on and why, or to at least offer another version of the truth.

This is not too different from Zornberg’s unconscious theory. Because they both boil down to the fact that the Torah itself cannot say, maybe no longer knows, what caused the People to lose their spiritual way and then turn on neighbors and allies in an attempt to cope, make some sense of it.  But the Torah is still able to tell us in its stuttering way, full of missing bits and confusion, that the tale is maybe not as straightforward as it might sometimes be portrayed, that vengeance is not a simple matter with a clear beginning and end, that it’s not something that ends well…or even ends:

In the middle of his rant to the leaders for not killing enough, Moses is somehow back to a lecture on ritual purity after touching the dead. And we are not told at this point if his ranting instructions were carried out (and we know from later stories in Tanakh that there are plenty of Midianites still in the land).

A heavy tongue returns

It occurred to me late in preparing these remarks that perhaps the rambling and stuttering of this story is related to what Shelley Grossman described here about Moses a few weeks ago: his aging and use of an old playbook and how he no longer has his siblings at his side. Remember, too, that Moses tried to refuse the Exodus mission, back at the Burning Bush, by telling God he was “heavy-mouthed” and “heavy-tongued” (Alter’s words). At the time, God told Moses not to worry because Aaron could speak. But now, Aaron and Miriam are gone and we have, instead, Pinchas — Aaron’s grandson whom we first meet when he is in the middle of a violent act, committing a killing that we are later told is part of a covenant of peace.

So maybe what we witness here is a story that is moving forward under emerging leadership but related by a man who has reverted to heavy-tongue, reporting to us that his own demise will follow on the heels of vengeance on people he once knew as family and fellow monotheists. Maybe it’s a kind of last gift to Moses — and to us — that the old, heavy-mouthed stuttering voice comes through to warn us that no such tale can be told without stumbling and missing bits.

NOTES

Max David Ticktin (1922 – 2016)

There are many on-line obituaries and memorials to Max. My favorite is this one by Rabbi Arthur Waskow. And in the way of such things, I was carrying the Torah through the Micah congregation just a few days after Max’s funeral and, even though Max did not attend services at Micah would not have been there to touch me with his tzitzit, I found myself equal parts profoundly sad at the knowledge that we would all be missing his touch and deeply grateful for the myriad ways he had already touched so many of us.

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The Torah Portion

The Torah portion Matot is comprised of Numbers 30:2 – 32:42. Temple Micah is following the schedule of readings used in Israel and, therefore, one week ahead of many congregations in the diaspora at this point in the calendar.
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