Or Olam: the light ahead and within

Seeking pieces of liturgy and other resources for uplift, as we try to move from the depths of Av to the new year, I’ve found myself returning again and again to “Eternal Light” — based on a line from the high holiday prayers — as composed by Norma Brooks and recorded by “Psalm Full of Soul” with guest artists The Blind Boys of Alabama (recording below).

Or Olam — Eternal Light

“Infinite light is preserved in life’s treasure-house; ‘Lights from darkness’ said God — it was so.” — from the piyyut “Or Olam

“And the light of the moon shall become like the light of the sun, and the light of the sun shall become sevenfold, like the light of the seven days, when the LORD binds up His people’s wounds and heals the injuries it has suffered.” — Isaiah 30:26

These lines, from an ancient liturgical poem by Yose ben Yose (4th-5th Centuries CE) are added to the Yotzeir Or blessing on the High Holy Days. They refer to a Talmudic legend (Chagigah 12a) that the brilliant primordial light of Creation, too powerful for mortal eyes, was hidden away by God, and is preserved for the righteous in the world-to-come.

— liturgical verse and commentary from Mishkan Hanefesh for Rosh Hashanah (CCAR, 2015)

Each of us is a repository of life. We are where life is stored, and this eternal light rests inside each of us, waiting for us to manifest it with our actions. When we act justly, we bring this light into the world, answering God’s dictum, “Lights from the darkness!” When we help another, we bring the “it was so” into the present, an ongoing creation of light in darkness (R David Kominsky, b. 1971)

— commentary from Mishkan Hanefesh continued

The song, “Eternal Light,” is based on “Or Olam” and its commentary, as well as on Gen 1:3-5 and Isaiah 30:36 and 45:7. The same line appears in Rosh Hashanah and Yom Kippur liturgies (see p.178 in Mishkan Hanefesh for Yom Kippur, e.g.) Video here, with lyrics, is shared with kind permission of Norma Brooks, composer. Full credits below.

For more musical inspiration, including some pieces for the high holidays, check out Norma Brooks’ earlier album, Bountiful Light, created with the help of musicians and choir members from DC and beyond.

Image description: Video is basically one static pair of images overlaid throughout with the song lyrics. Image 1 is a photo of the eight performers at recording session: Blind Boys of Alabama with “Psalm Full of Soul,” that is, Vanessa R. Williams, Vince Evans, and Norma Brooks. Image 2 is the album cover showing Psalm Full of Soul logo and a picture of Vanessa, Vince, an Norma laughing together. Static text: “Psalm Full of Soul ‘Eternal Light.’ Composer: Norma Brooks. Vocal Soloist: Vanessa R. Williams. Featuring guest artists The Blind Boys of Alabama.” On top of the static graphic, lyrics appear in a text box as song progresses. (Lyrics can also be found below.)


“Eternal Light” lyrics (Norma Brooks)

Eternal, eternal light
Source of life, source of life
Light of creation, God’s living treasure
O holy light, God’s holy light

Light from darkness
Light from darkness
God spoke, and it was so
Light from darkness
Light from darkness
Creator of heaven and earth

Eternal, eternal light
Source of life, source of life
Light of creation, God’s living treasure
O holy light, O holy light

O holy light, eternal light
O holy light, eternal light

When the light of the moon
Shall be as the light of the sun
And the light of the sun
Shall be sevenfold
As the light of the seven days,
Seven days of the week
Oh, in the future
There will be a more perfect light
The light resides
Within Each one of us,
Just waiting for us
Just waiting for us
To act justly, to act with purity,
Clarity and joy

The ongoing creation
Of light from darkness
O holy light, O holy light
Eternal light, O holy light

Eternal, eternal light
Source of life, source of life
Light of creation, God’s living treasure
O holy light, God’s holy light

BACK

Credits for “Eternal Light”
Guest Artists: The Blind Boys of Alabama (Jimmy Carter, Ben Moore, Joey Williams, Paul Beasley)
Vocal Soloist: Vanessa R. Williams
Keyboards: Vince Evans
Guitar: Alvin White
Bass: Bryan Fox
Drums: J.C. Jefferson
Choir: Rhonda Burnett Chapman, Byron Nichols, Michael White, Vanessa R. Williams
“Psalm Full of Soul” (c) 2008

RETURN

Ishmael, Isaac, and a Reunion of Cousins

What can the story of Ishmael and Isaac, especially its conclusion in Genesis 25:7ff, tell us “about renewing the cousinship of Blacks and Jews — and of people who live in both communities — when white nationalists are threatening both”?

The Shalom Center suggests that the Torah reading(s) for Rosh Hashanah, which highlight the endangerment and separation of Ishmael and Isaac, “cry out for turning and healing.” Toward this end, Rabbi Arthur Waskow proposes an additional reading for Yom Kippur: Gen 25:7-11, wherein the two brothers join together to bury their father and “Isaac goes to live at the wellspring that is Ishmael’s home.”

Arthur suggests that reading this tale at the end of the Days of Awe “can remind us as individuals that it is always possible for us to turn away from anger and toward reconciliation.” In addition it can remind us that the descendants of Isaac (Jewish people) and of Ishmael (Islam and Arab peoples) “need to turn toward compassion for each other.” (More on this idea at “5 Offerings for a Deep and Powerful Yom Kippur. The “cousins” paragraph, quoted above, is from a print Shalom Center communication elaborating on this Yom Kippur reading suggestion.)

Renewing Cousinship

Arthur taught at Fabrangen Havurah, probably twenty years ago, on the topic of Ishmael and Isaac jointly burying their father. Since then, I’ve thought many times about this part of the tale and its power to point us either toward reconciliation or toward less helpful paths. I don’t think I ever explored it in terms of “renewing the cousinship” of Black and Jewish communities before, however. And, because this is an on-going and strong concern for me, I plan to pursue this in some detail in the days ahead — for the high holidays and beyond. Our communities are much in need of turning and healing.

I am not yet sure if this is a continuation of last year’s #ExploringBabylon or a new direction. Either way, I hope you will join in, by subscribing if you have not already done so — follow buttons are now at the VERY BOTTOM of posts — and contributing your thoughts.

Life at the Wellspring

“Isaac goes to live at the wellspring that is Ishmael’s home.”

This is what struck me most powerfully in Arthur’s teaching this year. In year’s past, I thought in terms of interfaith understanding, of the wellspring as a fundamental source that Isaac and Ishmael share and a common link to Hagar. Viewing the descendants of Isaac and Ishmael as members of Jewish and Black communities today, however, raised new questions:

  • Beer Lahai Roi is where Ishmael settled after being expelled from the family home. So what does it mean that Isaac is now living there?
    • Is this true brotherly reunion, generally accepted by others in the neighborhood?
    • Or does this look to some like colonization of the exiled brother’s home?
    • Do the brothers fairly share a joint family heritage in the wellspring?
    • Or is Isaac somehow appropriating what had been Ishmael’s?
  •  Beer Lahai Roi is a powerful place of God-connection at times of severe travail for Hagar. So what does it mean that Isaac settled there?
    • Did separate traumas experienced by Isaac and Ishmael lead them, by divine guidance, perhaps, to a joint source of healing?
    • Or did Isaac seek out Ishmael hoping his older brother could guide him?
    • Do the brothers learn from one another?
    • Or do they, with some rare exceptions, like burying their father, retreat into their own pain?

Perhaps midrash — ancient, modern, or newly discovered — will reveal some answers. Maybe some of these questions are best left open.

Rosh Hashanah Torah Reading(s)

In Reform and some other congregations observing one day of Rosh Hashanah, the Torah reading is generally the story of the Akedah, the binding of Isaac, Genesis 22:1-24. Where two days are observed, common practice is to read the Akedah story on Day Two and the story of Hagar and Ishmael being cast out, Genesis 21:1-34, on Day One.

In midrash, Sarah dies as a result of the near sacrifice of Isaac. So, whether or not Genesis 21 is read at the holiday, these stories highlight endangerment of both sons and both mothers and a family torn apart.

Genesis 25:7ff, when the brothers bury Abraham, is read as part of the regular Torah cycle, parashat Chayei Sarah (Genesis 23:1-25:18) but is not part of the traditional readings for the Days of Awe.
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Surrounded by Big Things: Jonah, Harvey, and Yom Kippur

One of the things we might notice about Jonah is that he’s a little hard to follow: one minute, minding his own business, in his own land, and next thing he’s on the way to Joppa, on the ship, in the hold, tossed out into the sea, in the fish’s belly; then in Nineveh; and finally sitting outside the city arguing with God about a gourd. In honor of Jonah and his varied travels, these remarks go a number of different places, and, in an even deeper homage to Jonah, I can’t really promise that we’ll understand the point in the end. But I do hope it will be an interesting ride.
Continue reading Surrounded by Big Things: Jonah, Harvey, and Yom Kippur

Maybe: Janis Joplin, the Chantels, and Jonah

“Maybe” is not always comfortable in a world that values black and white, in or out, yes or no. But the Book of Jonah, recited on Yom Kippur afternoon, suggests that coming to terms with “maybe” is a key lesson of these days between “it is written” and “it is sealed.” And two musical approaches to “Maybe” help illuminate Jonah’s struggles with concept.
Continue reading Maybe: Janis Joplin, the Chantels, and Jonah

Traveling With Jonah: Pre-Yom Kippur Thoughts

By the time we approach minchah on Yom Kippur afternoon, we have been through the month of Elul, Selichot prayers, Rosh Hashanah, and a substantial portion of the Day of Atonement. The role that the Book of Jonah plays at that point is one thing. But I’ve been wondering if it might not be of some use to reflect on Jonah’s travels earlier in the season as well.

Having recently read Yehuda Amichai’s brilliant and funny “Conferences, Conferences: Malignant Words, Benign Speech”* – in which one conference session explores, e.g., “ceramacists on the type of potsherd Job used to scratch himself” – I found myself imagining a similar conference on Jonah.

What began as silly free-association turned to slightly more serious exploration of some themes raised by the Book of Jonah. I thought sharing this BEFORE Yom Kippur afternoon, might be of some help.

Here, in the form of a “Conference Program” PDF, is the result of my musings. (Please note: the Creative Common license for this work has been updated.)

Offered with wishes for a good and sweet year!
Traveling_with_Jonah
Continue reading Traveling With Jonah: Pre-Yom Kippur Thoughts

Psalm 27 for the season (4 of 4)

“If you’re not 20 minutes early, you’re late,” my ballet teacher, Marie Paquet, used to tell her adult students: Without time to leave behind the outside world and prepare to focus, warm up physically and mentally, class could be frustrating, even dangerous. Over the years, I’ve realized that her adage also applies to worship services. Still, life and public transportation don’t always support early arrival to services.

But necessity, as I’m sure “they” rarely say, is the mother of invention in kavanah [intention]….

This past Shabbat, Shabbat Sukkot, I entered the sanctuary un-early and a little frazzled. Moreover, this particular service skipped over some introductory prayers that ordinarily help me focus. This left me struggling to follow the service. But, then, in a moment provided for silent prayer, I stopped struggling and simultaneously “heard,” quite clearly:

“On Your behalf, my heart says: ‘Seek My face!'” (Psalms 27:8)

I wish I could say that this verse instantly helped me find my way into the service. But I can say that I my inability to keep up became suddenly irrelevant. Moreover, I stumbled into a three-part message encapsulating the fall holidays. I am hoping it will carry — for me and others, I hope — the essence of the season of teshuva into the mundane, post-holiday world.
Continue reading Psalm 27 for the season (4 of 4)

Amichai: Change, God, Pit, and Mikveh

UPDATE April 15: See also Fabrangen’s Omer Blog for more on “full of water.”

Imagery of a pit [bor] appears over the years in the poetry of Yehuda Amichai. Frequently, as in the Joseph story (“the pit was empty, there was no water in it” [Gen. 37:24]), Amichai’s pits are without water. Toward the end of his life, however, he published a poem in which a mikveh — which can be understood as a sort of pit filled with water — plays a prominent role:

Then we came to a ritual bath in ruins….
…Speak O my soul, sing
O my soul to the God who is Himself part of the cycle
of praise and lament, curse and blessing.
Speak O my soul, sing O my soul, Change is God
and death is his prophet.
–Yehuda Amichai, stanza #10, “Jewish Travel: God is Change and Death is His Prophet” in Open Closed Open

Here, for Temple Micah’s study group and anyone else interested, are a few references for exploring this idea.
Continue reading Amichai: Change, God, Pit, and Mikveh

Teshuva in a Half an Inch of Water

Teshuva is a never-ending process because we are always changing and the context of our universe is always shifting….We need multiple opportunities for teshuva because our mistakes and errors change over time, and our circumstances are fluid.
— Erica Brown, Return: Daily Inspiration for the Days of Awe, 2012

I was sitting in the bathtub, counting my toes
When the radiator broke, water all froze
I got stuck in the ice without my clothes
Naked as the eyes of a clown

I was crying ice cubes, hoping I’d croak
When the sun come through the window,
the ice all broke
I stood up and laughed, thought it was a joke
That’s the way that the world goes ’round
— John Prine, “That’s the Way that the World Goes ‘Round” (details)

The “fluid” circumstances Erica Brown mentions undoubtedly bear no intentional relationship to John Prine’s bathwater. But Prine’s song and Return: Daily Inspiration for the Days of Awe have something related to say about teshuva, and together they offer a fruitful approach to “recovering” ourselves in this penitential season.
Continue reading Teshuva in a Half an Inch of Water

High Priest’s Prayer for Those on Fault-Lines

As the ancient Jewish community added a prayer on Yom Kippur for those in an especially vulnerable spot, let us consider doing the same:

May this year that is coming be one of abundance, building, compromise, dialogue, respect and understanding, a year in which all realize their interdependence and work together for the common good.

And concerning the inhabitants of Washington, DC: May it be Your will, Adonai, our God and God of our ancestors, that they find common ground on which to safely build in the days to come, so that the fault-lines of race and class do not become their demise.*


Continue reading High Priest’s Prayer for Those on Fault-Lines